MOONContent & Social Media
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Mounir Productions, double exposure logo built from Moon's own footage add assets/hero.jpg

Hey Simon, I'm Moon.

Shaun passed your details on, and I was glad he did. Two minutes is all this is: the work first, then how I read the content role, then me. There is a video letter on the right if you would rather hear it than read it. A referral carries Shaun's name with it, and I take that seriously.

Pick a tile, swipe, or use the arrows
My video letter
The work

Browse around.

Everything here I shot and cut end to end, Simon. Tap any tile to open the full gallery. Closest to your world are the outdoor-living brand set, an engineered product filmed across four install phases in real backyards, and the interiors work.

Highlight reel

A minute of variety, in one clip. The full pieces are below.

The fit

How this maps to the role.

I went through the feed before writing this. The three posts that travelled furthest all had a person in them: Dave opening a bill in credit, the home with the gas line cut, and the street that went dark while one house kept its lights on. Real homes, real relief, someone on camera. That is the content I am built to make, and here are the four places I line up.

01

Real Homes, Real Installs

Hardware on site is what I shoot. Two years on the content team at Quad Lock, plus a premium outdoor-living brand: engineered products filmed in the driveways and backyards they get installed in, in real weather, around the crew doing the work.

02

One Shoot Day, A Month Of Posts

Volume with the craft intact. Six cities and 30,000 homes powered is a lot of story to cover. I plan a day so it returns a hero film, vertical cutdowns and stills together, ready for TikTok, Reels, YouTube and LinkedIn out of the same footage.

03

One Pair of Hands, Whole Pipeline

Shoot, drone, photo, interview, edit, deliver. Two GH5 bodies, CASA-accredited drone and FPV, DaVinci Resolve since 2021. Install days, product pieces, events and sit-down interviews all sit in the same week for me.

04

People First, Always

My actual strength. Installers, sparkies and homeowners relax around me, which is where the honest footage lives. Fourteen years as a children's counsellor taught me that long before a camera did.

Climate Fresk facilitator, 2022 to 2024 Melbourne based, full licence and own car Bilingual, English and French
The approach

How I run a shoot day.

Here is exactly how a day with me goes, Simon, whether it is an install out in the suburbs or a product piece back at the office. Tight enough plan that it returns a full asset set, loose enough to catch what the plan missed.

01BriefAgree what the content is for before what it looks like: rebate news, education, a customer story, or all three.
02PlanBuild a shot list that already accounts for vertical, square and wide, so one day covers every placement.
03ShootTwo bodies rolling, stills captured alongside video, drone or FPV where the site earns it.
04PeoplePut whoever is on camera at ease first. Installers and homeowners give you the real answer once they relax.
05PostCut in DaVinci Resolve, grade, and deliver the hero plus every cutdown from the same footage.
06Hand overFiles named and organised so the next person finds things instantly. That habit came from running a 500,000-asset library.
Cut native for every feed
Vertical, square and wide, cut from one shoot - EN and FR.
About

The short version of me.

Why solar means something to me, the gear I own, and how to reach me. Thanks for reading this far, Simon. I would love a chat whenever suits you.

Moon

I run my own studio, Mounir Productions, shooting and cutting for brands around Melbourne. Before that I spent two years on the content team at Quad Lock, filming product and looking after the library everyone pulled from. Most of what I shoot is physical: things people install, mount, build and stand next to. Alongside that sits event coverage, sit-down interviews, hospitality and interior design work.

Why solar, genuinely. I spent two years as a Climate Fresk facilitator, running workshops that walk people through the actual climate science. Home batteries are one of the few things I came away from that convinced actually move the number. Getting to film the product I already argue for on weekends is a rare kind of luck.
And the Starlight thing. Nine years of backing the Starlight Children's Foundation tells me a lot about a company. I have worked with kids as a counsellor since 2012, so an Express Room is a room I already understand. If that side of the business ever needs filming, my hand is up first.

Hardware is my comfort zone. Phone mounts at Quad Lock, louvred pergolas for a premium outdoor-living brand, kitchens and joinery. Engineered products, shot on site, in the weather, around the people installing them.

People are the actual skill. Installers and engineers rarely want to be on camera. Getting them relaxed enough to say the useful thing is the part I am best at, and it is why the interviews land.

Camera
2x Panasonic GH5, five lenses from 7mm to 300mm, DJI Mini 3 Pro and Avata 2 FPV, CASA accredited
Post
DaVinci Resolve since 2021, Premiere Pro, Adobe Suite. Hero film, cutdowns, verticals and stills from one shoot
Product work
Quad Lock content team, two years · a premium outdoor-living brand · kitchens, joinery and interiors · a 500,000-asset library I ran and organised. Clients named on request
Also shoot
Events and live coverage · sit-down interviews · hospitality · interior design · music and performance
Community
Climate Fresk facilitator (2022–2024) · Children's counsellor since 2012
Based
Melbourne · own car and full licence · English and French
Contact
Get in touch
Put together for Simon · Solar Battery Group · via Shaun Herbertson